“The thing is plain. All that men really understand, is confined to a very small compass; to their daily affairs and experience; to what they have an opportunity to know, and motives to study or practice. The rest is affectation and imposture.”
“There are few things in which we deceive ourselves more than in the esteem we profess to entertain for our friends. It is little better than a piece of quackery. The truth is, we think of them as we please --that is, as they please or displease us.”
“Belief is with them mechanical, voluntary: they believe what they are paid for -- they swear to that which turns to account. Do you suppose, that after years spent in this manner, they have any feeling left answering to the difference between truth and falsehood?”
“Learning is, in too many cases, but a foil to common sense; a substitute for true knowledge. Books are less often made use of as ''spectacles'' to look at nature with, than as blinds to keep out its strong light and shifting scenery from weak eyes and indolent dispositions. The learned are mere literary drudges.”
“First impressions are often the truest, as we find (not infrequently) to our cost, when we have been wheedled out of them by plausible professions or studied actions. A man's look is the work of years; it is stamped on his countenance by the events of his whole life, nay, more, by the hand of nature, and it is not to be got rid of easily.”
“I do not think that what is called Love at first sight is so great an absurdity as it is sometimes imagined to be. We generally make up our minds beforehand to the sort of person we should like, grave or gay, black, brown, or fair; with golden tresses or raven locks; -- and when we meet with a complete example of the qualities we admire, the bargain is soon struck.”
“We are the creatures of imagination, passion, and self-will, more than of reason or even of self-interest. Even in the common transactions and daily intercourse of life, we are governed by whim, caprice, prejudice, or accident. The falling of a teacup puts us out of temper for the day; and a quarrel that commenced about the pattern of a gown may end only with our lives.”
“If goodness were only a theory, it were a pity it should be lost to the world. There are a number of things, the idea of which is a clear gain to the mind. Let people, for instance, rail at friendship, genius, freedom, as long as they will --the very names of these despised qualities are better than anything else that could be substituted for them, and embalm even the most envenomed satire against them.”
“The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself; that is impatient of all limit; that (as flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of fancy, and to relieve the aching sense of pleasure by expressing it in the boldest manner.”
“They are, as it were, train-bearers in the pageant of life, and hold a glass up to humanity, frailer than itself. We see ourselves at second-hand in them: they show us all that we are, all that we wish to be, and all that we dread to be. What brings the resemblance nearer is, that, as they imitate us, we, in our turn, imitate them. There is no class of society whom so many persons regard with affection as actors.”
“A full-dressed ecclesiastic is a sort of go-cart of divinity; an ethical automaton. A clerical prig is, in general, a very dangerous as well as contemptible character. The utmost that those who thus habitually confound their opinions and sentiments with the outside coverings of their bodies can aspire to, is a negative and neutral character, like wax-work figures, where the dress is done as much to the life as the man, and where both are respectable pieces of pasteboard, or harmless compositions of fleecy hosiery.”
“Death cancels everything but truth; and strips a man of everything but genius and virtue. It is a sort of natural canonization. It makes the meanest of us sacred --it installs the poet in his immortality, and lifts him to the skies. Death is the greatest assayer of the sterling ore of talent. At his touch the dropsy particles fall off, the irritable, the personal, the gross, and mingle with the dust --the finer and more ethereal part mounts with winged spirit to watch over our latest memory, and protect our bones from insult. We consign the least worthy qualities to oblivion, and cherish the nobler and imperishable nature with double pride and fondness.”
“There are persons who cannot make friends. Who are they? Those who cannot be friends. It is not the want of understanding or good nature, of entertaining or useful qualities, that you complain of: on the contrary, they have probably many points of attraction; but they have one that neutralizes all these --they care nothing about you, and are neither the better nor worse for what you think of them. They manifest no joy at your approach; and when you leave them, it is with a feeling that they can do just as well without you. This is not sullenness, nor indifference, nor absence of mind; but they are intent solely on their own thoughts, and you are merely one of the subjects they exercise them upon. They live in society as in a solitude.”